So it longs for, speaks like, hearkens and tirades as the Rap past gone? Definitely worth a check up?—tough call. With all its easy-going attitude and exuberant furnace of proficiency, Cruel Therapy is neither an ultimately good nor bad Hip Hop release.
For anyone aesthetically reeling for the actual Hip Hop sound at around its peak, it’s a very good listen. Right to that part. To consider the current date—the years passed between that age and now, it might border on passable beyond its beats.
Cruel Therapy may have the ensnaring boom-bap on full display but lyrics-wise the Mad Mane Machine is bonkers for boundary pushers. Much worse music has similar content. Additionally is a willingness to give albums with outgoing covers a chance; over anything else—and now here things are, on Cruel Therapy‘s. Paying dues at times is not enough. Half sarcastic and half entertaining are skits involving fan interaction. Excellence to you. As a collective, more energy was concentrated and channeled into Fool on the Hill—managing to jab a the contemporary society, though I still remain apolitical.—Less impressive is an urge to be trendsetting (WTF!) with (skittish is the word) red carpet acclamation; based on what the album offers. Even retaining my partiality to the upliftingness portrayed in U.R.G. To an adult it comes off an embarrassing self assurance anthem, less to a younger listener.
Such an expressive sail down, and the beats are attended to as clean-cutly as could be. The brash roughness found on Rotten Apples strikes out the most on the album, especially after oftenly coming across corny ass choruses that denature a track by being forcefully pastiched ito A FUCKING RAP SONG! Only glad my time was not wasted.
Rap 4 heads—an ambiguous though somehow fitting description. Even as the phrase would better describe a release like Heavy Metal Kings, this is neither bad for the same.
Mr. Morbid and Melph have struck the Rap structure with a magic wand such that whatever twinkles off is brilliance and lusciousness. For the benefit of heinous views coupled with respect for decadence—the heads administered to ought giving a closer look to the cynicisms chipping off loose like fiery splinters from heavily welded metal. this is not Horrorcore or sensitive emo bullshit in its self immersed efforts to spite and dispute the self. rather, it is a cry echoed in the cover—what they wish of their identities is the portrait the musical canvas displays—demons throbbing with pulses of unhinged feelings.
Melph appears to be the producer lending flaps to Mr. Morbid’s laid back —often sleek—flow; around a few spits by Mr. Morbid. This EP works so well it could be listened from any track as the first that mere putting down becomes an irresistible matter of choice. Fucking perfect length. E.N.D. dwells on an electric guitar that’s something leering into what an alternative Metal band may have to offer—not that it’s bad, for its somewhat tasty effort.
Unreleased Demons found an outlet upon the intersection of a duct that clicks—if not falling in place like jigsaw. Do not hesitate upon this—or fuck, it’s rap 4 heads.