The warm radiance that is Illuminance shines its blissful intersection in a transmogrifying brilliant resplendence. From the way the Mad Mane Machine has been seeing technically inclined Death Metal bands lean towards glowing/bizarrely gleaming covers has been off-putting—it really recalls every quasi-Djent/Deathcore aims at being super proggy and/or transcendent or something in that line. As a downside, Illuminance jumbled with such releases, barely labeled as progressive stands a huge disadvantage of being overlooked.
An instance of unrepentant dissociation—by indiscriminately indulging overflowing, yet insane progressive Death Metal is what I’d term Illuminance. Solid songwriting, awe-striking musicianship, discipline in instrument handling—or a failure to let dexterity drive urgent points home. Outlasting an experience as this makes Virvum‘s efforts more effective and the album something to really dig into—without demanding one to wrap around its contents. Which really is a shame, as one tries figuring out why—though not present here—a bassist as Nikola Somborski would go ahead to form a band as mediocre as Cordyceps. Fitting of every Slam stereotype, and then some . . . fun? Saddening.
Asserting to say the high stature that is maintained here, right off the bat, down to the epic closure. Sonically suggestive to create (non queer) uplifting an atmosphere—one that could be enhanced to stimulate creative activities that stretch imagination; painting et. al. The mighty The Cypher Supreme has incredibly catchy leads which floors by clicks of considerable beauty. Even from first listen, it is a stand out that out-listening such craft’s nary a point of regard. A jutting that foretells Virvum are not heady for an all-drawn-out orientation to the jugular. An album I’d vouch fro as a solid progressive Death Metal representative—heck, a testament to why progressive DM is better than technical DM, and more-so on instrumentally articulate progressive DM. Not to state that non technical Progressive DM is a paler strain, but it’s less amusing trying to come around intense song assemblies competing with hooking tech death full of riffs not as impressive as on previous listen.
The tantalizing excellence conveyed is a constant, peaking with II: A Final Warming Shine: Ascension and Trespassing. Matter-of-factly the most appealing track appears to be the first—also containing one of some of the heaviest parts of the album, right at the track’s end. Another heavy traction aids purge the title to iron melting magnitude. Drummer Diego Morenzoni is on a rhythmic urge to complete the snare catastrophe with a gushing speed. Nothing haphazardly spasmodic like Brain Drill, who demand intense follow-up to discern—even recall—their sound structure. This is an almost faultless release and it’s sudden impressiveness on first listen fails to fade away. Aiming for that is only a formula to cater for an ADD audience. I’m willing to believe Virvum are above such—for clarity, it is not only hooks that make music something to recall, with neither of that here—although this album could sit on a couple shelves, gateway progressive DM being one. Which is completely assailed as a compliment.