K21 (ANTS)

A(n un)certain entity looks like Leonard Nimmoy—clutching hyper to its instrument of Electronic perversion. This is undeniably a serious business. Beautifully crafted to befit dance music with coruscating breaks and corresponding hollowness in dimension.

  The man’s craft supersedes deification. K21 is an expulse to intelligent dance where his frets and devotions are exhilarating occupations of preceptive drums and perfusions that simulate the effects of—if amid samples—annihilating the organic reach of vocals. The present vocal samples are as alien and fiendish as a morose Klingon—with blood-thirst and war-lust. Rune prevents the music from engraving and etching the auditory preference with inadequately descriptive pounding. The airy ride shuttles from concoction to decantation. Hurtling forth into battle of cymeks.

  As a rhythm of articulation, it freights convening formulations. Preamble openings that play along sotto voce. This is grand and mighty. It is not enough trouble preventing other activities getting in its way. Every sound delicacy  is birthed in a bleeding permeation. Holy shit!—the death march—the storm—the Ajax. Where art thou Industrial freaks. Discretion hath now faced unearthing. Inundated by a linear finish—punish and taper. Inferior ants got no indemnity against the militial—nullify and eschew. This cover art is freaking superb. Close-up and blur. Ajax run the world.

  Confined to a Synthpop furnish is closure Voicesback, and it’s not much of a stretch. Parallaxed by echoing overwolds of sounds. An Industrial rafting appraise that whiffs into synth corruscations. Into submission thou shalt descend. No smarmy.


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