ACID DEATH (HALL OF MIRRORS)

  Heavy Metal and anagrams are quite the mother’s milk to The Mad Mane Machine. Per se, either is based on a self-reflection in order to arise with the end-product; making this review awash with the same logic—without being too overt.
  Coming across Hall of Mirrors, I hadn’t figured what to expect from an Incurso-esque human on the cover, being handed a (skeleton) key via a portal—how mirrors make operations covert.

 

  In accordance to the tastiest breakdowns to grace The Mad Mane Machine‘s ears, the same had to be done to the tracks, anagramatically.
HELL’S MAW—features shrieks from the depths. Steering LAW’S HELM.
MENTAL SLIME—unmercifully drumming and pounding MILE LAMENTS and hedonistic grime.
TRUTH REVEALEDTHE RED VALE RUT LED THAT VEER. Diverting becomes cyclical. It’s the work of mirrors to repeat.
THE UNFAIR FIGHTUGH! FAINT HER FIT.
HALL OF MIRRORSI’M FALL’S HORROR. The reflection of throaty vocals.
TASTE OF THE ERRATICFATE TO HERETIC ARTS, well deserved.
GHOSTSHIPHIGH STOPS. If hall of mirrors could anagram to horror film…. They always fog out.
PLANES OF THE ETERNAL DEADEA, HE PORTENDS A FALLEN DATE. Lord of depths!
SUPREME ACT OF HEROISMPRIME MOSH FACT, USE ORE. And smelt!

 

  Being a Thrashy progressive Death Metal album, parallels can be drawn to Witheria, the throaty vocals too, with Witheria managing growls and much technical music. A commendable release from Greece.
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